![]() You will be able to easily morph your samples, add strange falling frequencies, and create a unique sonic pallet. Then add the Autopanner to all the samples to get an even crazier morphing sample.Ĭombining these techniques will give you a massive control over your Risers. You can experiment by having a wind sample transpose down while your crash sound transposes up. It’s a pretty simple but very useful effect rack and it gives you control over various reverb parameters and gate parameters. To do this just make a new Track and add new samples. This Ableton Live FX rack will give you that 1980s gated reverb sound for your drums or any instrument you apply it to. Having a sweeping white noise or a reverse crash is cool, but adding some water sounds or car crashes adds a whole new level. The final technique I like to use when making risers is adding a bunch of layers. This will lead to some really cool sweeps and falls. You can have one sample raise as the other sample lowers in Transposition. The image below shows the settings in the Envelope Box and then changing the sample transposition.Īnother advance way of doing this is taking the same sample and duplicating it. You can then make points and move them on your Sample Display. There set the Device Chooser to Clip and the Control Chooser to Transposition. This will raise or lower the pitch of the sample over time. TranspositionĪnother simple yet powerful tool is using the Transposition in the Envelope Box. By automating a filter cut off you can also open the sound over time giving it movement. You can also use other effects such as the Auto Filter or the EQ 8. It basically makes it a mono effect instead of changing the stereo field. This means it is changing the volume on the Left and Right to the same amount. This will change the tremolo / flutter effect to move over time. Just throw the auto panner on the track and automate the Rate Amount. There are tons of ways you can go about this, but the simplest way I know is using the Auto Panner. Adding EffectsĮven by taking a reversed crash and adding effects, you can create a distinct riser sound. It gives it a morphing and evolving sound. Then, like I explain in the video above, I record myself changing the Grain Size. By stretching it out the effect you are doing is more obvious. BPM.Īfter you do that, then you can use the different warp modes. I usually just use the Double Original Tempo button (*2) found below the Seg. The first thing you need to do is stretch out the sample. I personally love to use the Texture mode to modulate the sound. The warp modes give you a lot of possibilities in shaping your sound. You can then continue to morph the sound and add effects or other techniques to add interest. Once you do that, you have a simple riser to start. You can easily do this in Live by using the Sample Display Box. A fairly common technique is to take a crash, or some long decay sound and reverse it. Reversing your sample is one of the easiest, most used, and yet still the most powerful way to start making a riser. Like Missy Elliot said, Work it, Flip it and Reverse it. Bellow is my top 5 techniques I like to use. Or you can use transposition to make the sample fall or rise in pitch. You can stretch the sound using warp modes to add a cascading sound to it. nki files that have been created in Kontakt 4.2.1 or older due to a change in the Kontakt file format implemented by Native Instruments with Kontakt 4.2.2.There are lots of ways you can add movement to a riser. Sampler supports the following third-party sample formats: Note: As of Live 11 it is no longer possible to import. We recommend to research online to find the file conversion tool that suits you the most. In case a sample format is not supported or if the file cannot be imported, you may need to convert the file. Note that Live can not use specific Soundtrack loop tags. aif files equipped with Soundtrack loop tags. wav files that contain additional ACID loop tags which, however, can not be used in Live. In addition, REX files can also be sliced to a new MIDI track. They can be loaded into audio tracks and will adapt to the tempo of the Set. REX files are available in Live Standard and Suite.Live supports the following sample loop formats:
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